Coverlet

Remember last year about this time... I had just put a project on the loom at Missouri Town (a historical site I volunteer at). Well, it's finally finished. I stitched the two halves down the middle to make one big blanket and hemmed the two ends.

If you've ever read the Kirsten series of American Girl books, it's about Swedish immigrants in 1855, and one of them talks about her mother weaving the coverlets for their beds and thinking that the idea of quilts is strange. So that's what this coverlet would be, a scandinavian type of bed covering.

It's just the right size for a child's trundle bed. Now it's on display in the downstairs bedroom at the tavern. The best part is that it looks like it belongs in the room. It looks just as old as the actual artifacts. It feels good to have completed a project.

Weaving 101: Starting to Weave

No matter what pattern you're weaving, you usually weave what's called a header in plain weave for one or two inches. This spaces out your warp threads evenly and can be used as a hem later. Here I've woven the header in the same cream as the warp.

My shuttle is ready to start the pattern in blue. A shuttle is what carries your weft thread back and forth through the shed (see previous post). It should be easy to throw through the shed with one hand. They come in various sizes and styles, but this one is a pretty normal model.

(I read that the word shuttle is original to weaving and later came to stand for anything that carries back and forth--such as a bus shuttle or a space shuttle. Interesting!)

Winding the bobbin is the same concept as when using a sewing machine, only you're probably going to do it by hand. Depending on how thick your yarn is, you'll have to stop weaving periodically and refill your bobbin. If you're weaving with more than one color, you'll probably have two bobbins in two shuttles going at the same time.

Here I've started weaving the main pattern. I haven't even gotten more than an inch done and I can already tell there's a problem with a certain area. Thankfully most of it looks quite pretty.

Squint your eyes when you look at this picture and you'll see what the pattern is supposed to look like.

Compare with this picture--I'm not just missing a thread here, it's also a skip in the pattern.

At this point, you grumble to yourself and rethread the heddles to fix the pattern. Bleck. Interestingly, this is the first time I've had to correct a problem this bad.

There won't be any more Weaving 101 posts until after October 4th. After I fix the pattern mistake, I'll save the main part of weaving for the Missouri Town Fall Festival. If anyone is in the Kansas City area, come by and see me demonstrating weaving the first weekend in October.

Weaving 101: Preparing the Warp

I'm starting a new weaving project and I thought it might be nice to post the step-by-step process. (I suppose this could be either really interesting, really confusing, or really boring to different people, so be forewarned!) To explain the project, I have to give a little bit of background story first.

This summer I've been working part time at Missouri Town 1855, a historic site with old buildings and a few reenactors (nothing fancy like Williamsburg). I was hired to help mostly with the livestock (you guessed it, scooping poop) and with maintaining the gardens (weeding). But when it's too hot to work I get to dress up and interact with visitors and demonstrate things. I've been doing a lot of spinning, which I needed the practice. So, they found out I can weave. They have a loom that some donator bought, a nice new loom. Nobody has done anything with it. Would I like to do something with it?

Hence my project is born. I knew I did not want to make a boring rag rug (if you've ever been somewhere like a renaissance fest., it seems like everyone's making rag rugs.) So I thought I'd make an overshot coverlet. I'd read about pioneer women in Appalachia weaving them and so I knew they'd probably be a fit for the time period.

So here is a picture of my yarn, the white for the warp and the blue for the weft/pattern. It's a 3/2 perle cotton, which means it's one of the thicker weaving yarns and it's got some sheen to it. I get all my weaving supplies from The Yarn Barn in Lawrence, KS--I highly recommend them for supplies and help.

The first thing to do is measure the warp on my handy warping board. (Actually the first thing to do is all the mathematical calculations for how much warp and weft you need, but I'll spare you that part.) The warping board has these pegs spaced a yard apart so you can measure anywhere from 1 to 10 yards on it. This is not the only way to measure a warp, but it's the way I was taught.

I needed 300 ends of warp that were each 5 yards long. So I stood in front of my warping board and strung the yarn on for 5 yards and counted in twenties to 100. (I would recommend traditional Irish music for this activity--it gives a good beat and keeps you from getting bored.)

Here is a very important picture: the warp cross. It is the only thing keeping your strings in order, instead of in a big-huge-giant-awful mess. As you are measuring the warp onto the pegs, these two pegs at the top are close together and towards the beginning of the length. You always go over one, under the next and then opposite on the way back (yeah, that makes no sense I know)--it's pretty much a figure-8 concept just on a larger scale. Even if other stuff goes wrong when you're setting up the loom, if you still have your warp cross then not all is lost.

Here I've finished measuring 100 ends and before I can take it off the pegs, I've tied it several times with a contrasting string. This prevents it from getting tangled immediately, but more importantly, see how I have tied around the warp cross and just before and after it to make sure it doesn't get lost. If you don't tie anything else, tie the warp cross!

Here is my warp chain, just taken off of the pegs by starting at the bottom looped end and crocheting it onto itself with your hand as you slide it off of the pegs one by one. This helps keep the yarn from going crazy and it makes it a lot shorter and more manageable. Since my warp cross is tied securely, I can pull it right into the crocheted part. Because I needed 300 ends, I made three of these groupings of 100. Take my word for it, divide up your yarn unless you're doing a belt or scarf or something really skinny.

This whole process took me about an hour. When I wove 8 yards for my skirt out of really fine yarn, it took a lot longer. My next step is to start putting the warp onto the loom, which I have to do at Missouri Town. So check back for the next installment of weaving 101, and I'd love to hear your comments/questions.